Quite a catchy song done by Ryuichi Sakamoto in cooperation with Thomas Dolby.
The back side contains fifteen minutes of out of sync / random synth loops: Ryuichi's machines solo. It is used in the Field Work clip as background music at the beginning and the end.



1 Field Work [6:00]
2 Exhibition [15:29]

Not shared anymore. Complaints received.

Mark Stewart tour dates June 2008

This is *not* the official soundtrack of Lalo Schifrin.

I recorded the sound of this first movie of George Lucas on my tape recorder with a microphone near the tv speaker when it was broadcasted on television, around 1973 I think.
I listened to this beautiful futuristic soundscape again and again. Till my tape recorder broke and was replaced by a cassette deck.

Some years ago THX 1138 came out on dvd, and it had a special feature: the soundtrack without the actors voices. A pity was, that also the voices of the electrogod and robocops were removed, which were essential for the atmosphere to me.
So I made my own mix where I brought back the voices of the cops and godmachine. I divided this mix more or less into the chapters of the movie.



Another extra on the dvd were comments from Walter Murch you could jump to during the film. I extracted these explanations, removed the ehh's and ahh's, added some sound references and included them too.


Walter Murch

01 What's wrong [3:20]
02 On the job [3:41]
03 End of shift [4:00]
04 Home [2:33]
05 Chemical imbalance [5:39]
06 Forbidden proximity [4:02]
07 SEN's plan [2:36]
08 Mind-lock [4:17]
09 Trial and punishment [4:13]
10 Medical diagnosis [4:36]
11 Fighting back [2:51]
12 Prison without walls [6:31]
13 Foot chase [4:36]
14 Tagged [3:22]
15 Intruder's prayer [2:13]
16 The fate of LUH 3417 [2:43]
17 Jet cars [4:46]
18 Restricted expressway [6:38]
19 Nothing to fear [4:45]
20 Comment - Radio chatter voices [2:29]
21 Comment - The all-pervasive voice [1:09]
22 Comment - Music as sound effects [3:19]
23 Comment - Creating echo effects [3:09]
24 Comment - Cubistic sound in the trial [2:13]
25 Comment - Torture scene [2:26]
26 Comment - Music box in the MRI scene [1:57]
27 Comment - Room tone in the limbo prison [2:27]
28 Comment - Thunder in limbo [1:33]
29 Comment - Dynamic range in the rushing hallway [3:07]
30 Comment - I think I ran over a wookiee [1:52]
31 Comment - Jet car sound effects [1:21]
32 Comment - Motorcycle sound effects [1:49]



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Not many shares last weeks.
The work it takes is not in balance with the fun it gives anymore. So don't expect a lot of new stuff the coming months.

This post consists of audio rips from the electronic parts of the movie Logan's Run. A lot of the score contains synthesizer sounds. I converted the ac3 to mp3 and made up the titles at my own discretion.
According to the Internet Movie Database, Jerry Goldsmith is the composer. He used the ARP 2500 and did also the music for The Twilight Zone, Planet of the Apes, Star Trek, Chinatown and The Boys from Brazil.



1 Opening Titels [2:26]
2 Ride to Arcade [0:19]
3 Carrousel / Runner [5:29]
4 Circuit [0:31]
5 Cubs [0:29]
6 Debriefing [7:08]
7 Ride to Cathedral Plaza [1:22]
8 Love Shop [1:58]
9 Surrogation [6:36]

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This was the first Hip-Hop song released on a major label. Kurtis recorded this with the help of producers Robert Ford and J.B. Moore. They took it to Mercury Records, who signed Kurtis to a 2-single deal, under the condition that If both singles were successful, he would get an album deal. This was the first single, and it did very well. The second single was "The Breaks," and it became the first rap song to be certified as a gold record, selling over 500,000 copies. Kurtis got the album deal and became the first rapper signed to a major label. (www.songfacts.com)



Side one:
1 Christmas Rappin' [8:12]
2 Do It Yourself Rappin' (instrumental) [7:37]

Side two:
1 Nervous (vocal) [5:23]
2 Nervous (instrumental) [5:28]

Not shared anymore.

Around 1983 scratching was a hype. Every artist who was old fashioned had now the chance to become modern again by making a scratch hit. You could expect a record to make this movement a bit ridiculous and at the same time making some money. Kris Kastaar did this, using samples of the popular Belgian comedian Urbanus, who also made the cover.



1 The Scratchin' Zwaantjes [8:06]
2 Le Massacre [6:11]

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Three sides of Pete Shelley on this 12".
Powerful synthpop on side one, dub mix and experimental drums/noises on side two.

Pete Shelley (ex Buzzcocks): guitar, voice
Barry Adamson (ex Magazine, ex Visage): bass
Gerard Cookson: guitar
Derek Thompson: bass
Dexter (Francis Cookson): drums
Steve Turley: keyboards



Side one:
1 Never Again (extended version) [6:12]

Side two:
1 Give It To Me [5:37]
2 111 (extended version) [8:27]

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