From Yorkshire.
1 Photography
2 No More Proud
3 The Moments
4 Boundary
5 Comfortable Life
6 Secrets
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1 Photography
2 No More Proud
3 The Moments
4 Boundary
5 Comfortable Life
6 Secrets
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September 22nd 1984 at The Doelen in Rotterdam
Photo: Marcel Snoek 1985
1 Nothing At All
2 Our Darkness
3 Sleeper In Metropolis
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Photo: Marcel Snoek 1985
1 Nothing At All
2 Our Darkness
3 Sleeper In Metropolis
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A collection compiled by Manchester's Piccadilly Radio DJ Pete Baker.
Side one:
1 V2 - Overture
2 Mellotron - Warriors From Space
3 Direct Hits - Soul Shoes
4 Genocide - Renegade
5 Speed - She's All There
6 Eddie Mooney & The Grave - Zombie
Side two:
1 V2 - City Creatures
2 She Cracked - Warren Row
3 Direct Hits - Back To The Sixties
4 Sister Ray - Suicide
5 Eddie Mooney & The Grave - I Bought Three Eggs
6 Steroid Kiddies - Seaside Teaser
7 The Teardrops - Colours
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Side one:
1 V2 - Overture
2 Mellotron - Warriors From Space
3 Direct Hits - Soul Shoes
4 Genocide - Renegade
5 Speed - She's All There
6 Eddie Mooney & The Grave - Zombie
Side two:
1 V2 - City Creatures
2 She Cracked - Warren Row
3 Direct Hits - Back To The Sixties
4 Sister Ray - Suicide
5 Eddie Mooney & The Grave - I Bought Three Eggs
6 Steroid Kiddies - Seaside Teaser
7 The Teardrops - Colours
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September 21st 1984 at The Doelen in Rotterdam.
1 No More War
2 It Ain't Necessarily So
3 Why
4 I Feel Love
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1 No More War
2 It Ain't Necessarily So
3 Why
4 I Feel Love
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This has nothing to do with the traditional concept of "folk music".
Yellow side:
1 Mark O'Brien - Heart Terrorist
2 Chancellor Of The Exchequer - Yellow Room
3 The Different I's - This Week
4 Infra-Red Ice Cubes - Secrets
Blue side:
1 Chancellor Of The Exchequer - Scientific American
2 Infra-Red Ice Cubes - Common Garret
3 Mark O'Brien - Forgotten Doors
4 The Different I's - Blankboard
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Yellow side:
1 Mark O'Brien - Heart Terrorist
2 Chancellor Of The Exchequer - Yellow Room
3 The Different I's - This Week
4 Infra-Red Ice Cubes - Secrets
Blue side:
1 Chancellor Of The Exchequer - Scientific American
2 Infra-Red Ice Cubes - Common Garret
3 Mark O'Brien - Forgotten Doors
4 The Different I's - Blankboard
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I bought this because it was on sale and Earcom 2 had a good contribution of Joy Division.
But number 1 was something different.
Side one:
1 The Prats - Prats 2
2 The Blank Students - Fun At The Fair
3 Graph - Drowning
4 The Blank Students - Background Music
Side two:
1 The Prats - Inverness
2 The Prats - Bored
3 The Flowers - Criminal Waste
4 The Flowers - After Dark
5 Simon Bloomfield / Tim Pearce - (My Baby Does) Good Sculptures
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But number 1 was something different.
Side one:
1 The Prats - Prats 2
2 The Blank Students - Fun At The Fair
3 Graph - Drowning
4 The Blank Students - Background Music
Side two:
1 The Prats - Inverness
2 The Prats - Bored
3 The Flowers - Criminal Waste
4 The Flowers - After Dark
5 Simon Bloomfield / Tim Pearce - (My Baby Does) Good Sculptures
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From the Valeri CD, 3 unknown songs.
Some of the accompanied notes:
In the grey days of late 1970s post-punk Manchester, youth culture was a serious affair: every musical performance was measured mostly by the conviction of its delivery. The term 'New Wave' opened up free vistas where acquired skills could once again be exercised after punk's monochrome blur. It could be applied to anything from a James 'Blood' Ulmer record to the latest Throbbing Gristle release, Magazine to Swell Maps. Move outside that terrain into Sun Ra, Parliament, Frank Sinatra and Martin Denny, and your options were suddenly without limit.
Then came Tony Wilson's Factory Club (at the Russell Club in Hulme) offering an open invitation to experiment that was taken up when Ken Hollings, Howard Walmsley, Eddie Sherwood and a few others decided to make some noise to accompany their 16mm silent epic Biting Tongues. A further performance followed a few weeks later, when Colin Seddon and Graham Massey disbanded their Post Natals project and joined up. The film itself, a flashing series of negative images, became a memory; the name remained.
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Some of the accompanied notes:
In the grey days of late 1970s post-punk Manchester, youth culture was a serious affair: every musical performance was measured mostly by the conviction of its delivery. The term 'New Wave' opened up free vistas where acquired skills could once again be exercised after punk's monochrome blur. It could be applied to anything from a James 'Blood' Ulmer record to the latest Throbbing Gristle release, Magazine to Swell Maps. Move outside that terrain into Sun Ra, Parliament, Frank Sinatra and Martin Denny, and your options were suddenly without limit.
Then came Tony Wilson's Factory Club (at the Russell Club in Hulme) offering an open invitation to experiment that was taken up when Ken Hollings, Howard Walmsley, Eddie Sherwood and a few others decided to make some noise to accompany their 16mm silent epic Biting Tongues. A further performance followed a few weeks later, when Colin Seddon and Graham Massey disbanded their Post Natals project and joined up. The film itself, a flashing series of negative images, became a memory; the name remained.
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