Quite a catchy song done by Ryuichi Sakamoto in cooperation with Thomas Dolby.
The back side contains fifteen minutes of out of sync / random synth loops: Ryuichi's machines solo. It is used in the Field Work clip as background music at the beginning and the end.
1 Field Work [6:00]
2 Exhibition [15:29]
Not shared anymore. Complaints received.
The back side contains fifteen minutes of out of sync / random synth loops: Ryuichi's machines solo. It is used in the Field Work clip as background music at the beginning and the end.
1 Field Work [6:00]
2 Exhibition [15:29]
Not shared anymore. Complaints received.
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Three sides of Pete Shelley on this 12".
Powerful synthpop on side one, dub mix and experimental drums/noises on side two.
Pete Shelley (ex Buzzcocks): guitar, voice
Barry Adamson (ex Magazine, ex Visage): bass
Gerard Cookson: guitar
Derek Thompson: bass
Dexter (Francis Cookson): drums
Steve Turley: keyboards
Side one:
1 Never Again (extended version) [6:12]
Side two:
1 Give It To Me [5:37]
2 111 (extended version) [8:27]
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[Download high quality]
Powerful synthpop on side one, dub mix and experimental drums/noises on side two.
Pete Shelley (ex Buzzcocks): guitar, voice
Barry Adamson (ex Magazine, ex Visage): bass
Gerard Cookson: guitar
Derek Thompson: bass
Dexter (Francis Cookson): drums
Steve Turley: keyboards
Side one:
1 Never Again (extended version) [6:12]
Side two:
1 Give It To Me [5:37]
2 111 (extended version) [8:27]
[Listen low quality]
[Download high quality]
The band consisted of Gary Asquith (guitar/vocals), Marco Pirroni (guitar), Mick Allen (bass/vocals), Mark Cox (keyboards) and Max (drums). Their sole EP, Wheel In The Roses, featured one side of studio recordings and another of live material. Their songs "Fond Affections" and "Rema-Rema" were later covered by This Mortal Coil and Big Black respectively.
Rema-Rema split up shortly after the EP's release in April 1980. Pirroni later hit the big time with Adam And The Ants. Asquith, Allen and Cox formed the short-lived Mass with Danny Briottet. Asquith then moved on to Renegade Soundwave, while Cox and Allen stayed with 4AD as part of The Wolfgang Press.
Drummer Max Prior went on to form El Trains (with Jay Strongman) and worked with Genesis P Orridge and Industrial Records as a solo artist under her real name (Dorothy), eventually joining Psychic TV full time.
(http://www.4ad.com/remarema/profile/)
Now available on cd and iPod.
Side one (studio):
1 Feedback Song [6:30]
2 Rema-Rema [4:11]
Side two (live june 1979):
1 Instrumental [4:00]
2 Fond Affections [4:00]
Not shared anymore.
Rema-Rema split up shortly after the EP's release in April 1980. Pirroni later hit the big time with Adam And The Ants. Asquith, Allen and Cox formed the short-lived Mass with Danny Briottet. Asquith then moved on to Renegade Soundwave, while Cox and Allen stayed with 4AD as part of The Wolfgang Press.
Drummer Max Prior went on to form El Trains (with Jay Strongman) and worked with Genesis P Orridge and Industrial Records as a solo artist under her real name (Dorothy), eventually joining Psychic TV full time.
(http://www.4ad.com/remarema/profile/)
Now available on cd and iPod.
Side one (studio):
1 Feedback Song [6:30]
2 Rema-Rema [4:11]
Side two (live june 1979):
1 Instrumental [4:00]
2 Fond Affections [4:00]
Not shared anymore.
When I posted live recordings of Armoury Show with Richard Jobson, I remembered I own an early 12" of the Skids, former band of Richard J.
Other Skids members:
Stuart Adamson - lead guitar
William Simpson - bass
Thomas Kellichan - drums
Side one:
1 The Saints Are Coming
2 Of One Skin
Side two:
1 Night and Day
2 Contusion
U2 and Green Day performed The Saints Are Coming live in New Orleans.
But the Skids still are better!
[Listen low quality]
[Download high quality]
Other Skids members:
Stuart Adamson - lead guitar
William Simpson - bass
Thomas Kellichan - drums
Side one:
1 The Saints Are Coming
2 Of One Skin
Side two:
1 Night and Day
2 Contusion
U2 and Green Day performed The Saints Are Coming live in New Orleans.
But the Skids still are better!
[Listen low quality]
[Download high quality]
For the Mellotron fetishist.
I personally prefer these live versions. In the studio BJH could polish the sound and use symphony orchestras, which made the already mellow songs too sweet. Live they had to perform the music with keyboards (mellotron!), guitar, bass and drums. That made the sound rougher.
John Lees: Lead guitar, Recorder, Vocals
Les Holroyd: Bass guitar, Rhythm guitar, Vocals
Stuart Wolstenholme: Mellotron, Electric Piano, Moog, Vocals
Mel Pritchard: Drums
Side one:
Summer Soldier [11:19]
Medicine Man [10:27]
Side two:
Crazy City [4:55]
After The Day [7:24]
The Great 1974 Mining Disaster [6:28]
Side three:
Galadriel [3:11]
Negative Earth [6:20]
She Said [8:31]
Side four:
Paper Wings [4:17]
For No One [5:48]
Mockingbird [7:40]
[Listen low quality]
[Download first lp in high quality]
[Download second lp in high quality]
I personally prefer these live versions. In the studio BJH could polish the sound and use symphony orchestras, which made the already mellow songs too sweet. Live they had to perform the music with keyboards (mellotron!), guitar, bass and drums. That made the sound rougher.
John Lees: Lead guitar, Recorder, Vocals
Les Holroyd: Bass guitar, Rhythm guitar, Vocals
Stuart Wolstenholme: Mellotron, Electric Piano, Moog, Vocals
Mel Pritchard: Drums
Side one:
Summer Soldier [11:19]
Medicine Man [10:27]
Side two:
Crazy City [4:55]
After The Day [7:24]
The Great 1974 Mining Disaster [6:28]
Side three:
Galadriel [3:11]
Negative Earth [6:20]
She Said [8:31]
Side four:
Paper Wings [4:17]
For No One [5:48]
Mockingbird [7:40]
[Listen low quality]
[Download first lp in high quality]
[Download second lp in high quality]
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